Reynolds, an experienced editor and writer turned director Elbi Cogan Draw a fine line between the husband's heartbreaking confessions and the various bumps on the road. Some turns are funny, some are somber, and some are a bit farfetched, like a street parade as people in spooky burlap costumes dance around Mully at a belated, dreamy speed. Not dreaming nor under the influence. It's just a surreal moment, complete with an oversized babydoll head being carried down the street. It's a little impressive overall, but not as much as a contrived moment on a plane when Joy tries to leave, and passengers crowd around her like in a classic romantic comedy. Unfortunately, some of these bizarre moments between heartfelt scenes throw off the tone and feel like ideas imported from another movie.
However, Reynolds' other visual qualities of "Joyride" are more comprehensive. Her collaboration with the cinematographer James Mather Creates a lively feel of the Irish countryside and seaside. The film retains the wonderful detail of a foggy day as the characters walk among endless green hills and barley stalks bouncing in the wind. As they wait to take the ferry, blue water appears to jump off the screen. The sun enters the window with a beautiful glow in the home's interior kitchen. Even if an emotional scene is hard to watch, their photos are usually eye-catching.
The heart and soul of "Joyride" are the mismatched backpackers brought to life by the performances of Reid and Colman. Although the world is a lot stressful after going down with his self-absorbed father, Mully still experiences childlike moments of rebellion and innocence. In one tender moment at a gas station, he plays with a dancing musical toy and mimics its movements. Joy watches from afar as she holds her baby and smiles as if she's enjoying the silly moment, perhaps thinking about her baby's future playtime. In a sense, she is haunted for life by her mother's hatred and fear of similarly failing the child she does not want. Coleman's body language here is not much different from that of the Tramp in Charlie Chaplin"ChildIn the absence of a mother figure like Mully, Joy sometimes relies on Mully for care advice since he's experienced in observing younger relatives. Both grieve for their mothers. Lost and learn to step up for the sake of others.
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