Steven Spielberg stands tall as one of our finest filmmakers. Spielberg has created some of the most amazing motion pictures ever made and continues to produce extraordinary entertainment nearly 50 years after its release. Jaws On the masses in 1975. Fablemans It marks Spielberg's latest effort and, by all accounts, appears to be another solid achievement in a career filled with unprecedented success. As such, we thought it would be fun to look back at six seminal films within Spielberg's remarkable legacy, the ones that shaped him into the world of filmmaker he is today.
Jaws (1975)
I've already written about enough Jaws It is almost foolish to add it to the discussion. Still, the 1975 classic about a great white shark terrorizing the inhabitants of Amity Island remains a defining moment in motion picture history, setting the stage for what we regularly call the movie of the summer.
Put it this way: without JawsThere is no Indiana JonesAnd the Jurassic ParkAnd the BatmanAnd the Terminator 2: Judgment Dayor The Dark Knight, among many others. without Jawsis there even a file star Wars?
Jaws Establishing Steven Spielberg as an up-and-coming filmmaker, he reinvented the modern horror film, instilled Hollywood with enough confidence to take chances in ambitious motion pictures with bigger budgets, and established the common trend of tie-in merchandise.
so he said, Jaws She didn't accidentally stumble upon her incredible success. It's a great movie that skillfully combines the suspense of Alfred Hitchcock with the adventure of John Ford. What could be a clichéd, primitive, paint-by-numbers horror picture (see Jaws 2And the 3And the 4) became a captivating and crowd-pleasing experience filled with colorful characters, skillful script, and genuine action. Jaws It earns its place among the best films ever made.
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Raiders of the Lost Ark (1981)
Raiders of the Lost Ark is one helluva movie - a roaring adventure full of non-stop action, incredible special FX, a stunning John Williams score, and a powerful hero (played by Harrison Ford) who has since become more famous than James Bond. More importantly, the pic conjured up a new kind of nothingness: a PG-13 family adventure.
Spielberg's success stemmed from this untapped resource, which delivered exciting motion pictures designed for all ages that had enough grit and edge to be cool among teen audiences - and enough nostalgia to appeal to older moviegoers. From this well sprouted parables Indiana Jones and the Temple of DoomAnd the evil soulAnd the GremlinsAnd the foolsAnd the Jurassic Park - all films with an abundance of adult content that know when to hold back and allow the audience's imagination to fill in the gaps.
Jaws made Spielberg a household name, Close Encounters of the Third Kind Epic can hold, however, spent Raiders of the Lost Ark It was the film that cemented Spielberg as the fantastic realistic film we know today. clocking in at just under two hours, Raiders It jumps from one action beat to the next and expertly blends drama, suspense, adventure, horror, and romance into an incredibly satisfying experience that still packs an amazing punch nearly 40 years after its release.
Spielberg and George Lucas were supposed to work together more often.
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E.T. The Extra-Terrestrial (1982)
I am out of mind that Which. t. extra terrestrial He is a tad overrated. Yes, it captures the nuances of childhood better than most and has a handful of kid-worthy performances - it's the ultimate family movie. Indeed, the delightful motion picture experience is blessed with one of John Williams' greatest scores. butt ET It also feels like a carefully calculated product that hits all the right buttons without venturing too far off the beaten path. This aspect plagues many of Spielberg's later films, namely Indiana Jones and the Last CrusadeAnd the Hookand even wonderful Jurassic Park.
where Jaws And the Raiders Dare to remake cinema, using every aspect of the old series and movies, Spielberg grew up watching, ET It looks like a mainstream product designed to appeal to the masses. still, ET It took over the world and gave Spielberg the keys to the kingdom through thick and thin. As such, it remains one of his primary images.
And look, I'm not telling ET It's a bad movie. I saw it on Imax recently and had a great time. Some moments explode on screen (eg, ET and Elliot's flight over the moon), and the story carries enough depth to give the whole affair an even deeper emotional payoff. Until now, ET More like a product designed not to fail than a new work by an incredible author.
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Schindler's List (1993)
After the commercial failures of Sun EmpireAnd the AlwaysAnd the HookSteven Spielberg responded with a one-two punch Jurassic Park And the Schindler's List. The former was an extraordinary financial success and helped usher in a new brand in CGI filmmaking. The latter quickly became a critical darling and eventually gave Spielberg what he demanded most: respect from the Academy.
In fact, Schindler's List Receiving a slew of Academy Awards, including statuettes for Best Director and Best Picture, Spielberg was recast as the de facto artist capable of delivering adult portraits. From here, the man oscillated between business ventures and personal ventures, often with middling results—see The Lost World: Jurassic Park And the Amistad in 1997 Schindler's List He dealt a deathblow to the '80s-era Spielberg once and for all and replaced him with a more refined, bespectacled, scarf-wearing artist whose films strive to be significant. 1993 was truly the moment our little boy finally grew up.
As for the movie, Schindler's List It is quite the experience. Guided by strong acting from Liam Neeson, Ben Kingsley, and Ralph Fiennes, the film tells the true story of Oskar Schindler, whose efforts during World War II saved the lives of some 1,200 Jews. Shot entirely in black and white by Janusz Kamiński, who would collaborate with Spielberg on all of his films from that point on, Schindler's List He goes into the jugular and recreates the Holocaust in devastating detail. An exceptional animation.
Ironically, all Spielberg needed to reach the stars (technically) was plant his feet on the ground.
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Saving Private Ryan (1998)
Spielberg's career would later produce strong entertainment such as Minority Report And the Lincolnbut left no cultural trace behind Saving Private Ryan. I'd go so far as to say that this was Spielberg's last truly huge motion picture - a summer scene that left a huge mark on the pop culture psyche.
Saving Private Ryan Cinema has changed forever, or at least the genre of war. Brutal, violent, and intense, the R-rated motion picture has paved the way for a slew of video games and TV shows (such as HBO's band of brothers And the Pacific), and reinvigorated the war saga. Ryan's success opened the floodgates to the likes We have been soldiersAnd the The black hawk has fallenAnd the Letters from Iwo JimaAnd the DunkirkAnd the 1917 appeared. Such films borrow elements or build on techniques found in Spielberg's brilliant work, sometimes with stunning results of their own.
However, despite her devotion to authenticity, Saving Private Ryan It remains the pinnacle of Spielberg's classic blockbuster: an action-packed action vehicle that blends realism Schindler's List with excitement Raiders of the Lost Ark Shock and awe Jaws. Upon its release, discussion about it took place Rayan It revolves around the 20-minute opening, which (ex Jaws) delicately sets the tone with an extended, relentless action sequence that brilliantly recreates the Normandy invasion of D-Day.
For me, however, the defining feature of this chef is the final hour, during which Captain John Miller (Tom Hanks) and his crew of soldiers defend a bridge from German forces in the most extraordinary sequence Spielberg has ever produced. , at least nothing. Equal parts harrowing and exhilarating, Final Fight delivers a visceral, crushing experience that incorporates all of Spielberg's best tendencies as a director.
While Spielberg will make better films in the future, none will match the technical mastery achieved in this classic World War II epic.
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Catch Me If You Can (2002)
if Jaws As Spielberg's breakthrough, and Schindler's List marking his entry in more adult fare, Catch me if you can It was the moment Spielberg finally crossed over into human drama. Oh sure, he sometimes dips his toes into empty blockbusters like this one war of the worldsAnd the Indiana Jones and the Kingdom of the Crystal SkullAnd the Single player ready With mixed results. However, from 2002 onwards, Spielberg's interest shifted to intimate character studies revolving around flawed people caught up in larger-than-life circumstances.
Except that none of his later efforts will match the sheer enjoyment of the Catch me if you can, a delightful comedy that deftly wrapped heavy topics like childhood, divorce, and parenthood. Starring Leonardo DiCaprio (in one of his best roles), Tom Hanks, Christopher Walken, and Amy Adams, the 2002 caper film follows the real-life exploits of Frank Avignale Jr., a young man who runs away from home at age 17 and turns into a life of petty crime. Frank disguises himself as a pilot, doctor, and lawyer, racks up millions of dollars in fake checks, and sleeps with gorgeous women while evading the FBI in 1960s America. Spielberg sees Frank's exploits as harmless adventures sloshing through juvenile ignorance. He's not a bad kid, just misguided and lonely.
Smart, sweet, passionate, funny, Catch me if you can It is an image that only Spielberg can conjure up. An expertly produced piece of filmmaking that ranks among his finest accomplishments as a director, one that has proven he can craft a personal drama without all the bells and whistles.
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